Works on paper and corrugated cardboard towards a genetic ancestral DNA project (see In-betweens page) 2023
I will be... propagation of cells. Coffee stain, white gesso, acrylic, ink, index cards, screws, on corrugated cardboard, 71 x 58cm, 2023
Curtains image, Petri dish image, Geographic regions sketch set. Variously Coffee stain, Dermatograph pencil, white gesso, pencil, ink, on corrugated cardboard and paper, 29.5 x 41, 71 x 58cm; 58 x 71cm respectively, 2023
Curtains sketch + two annotated sketches. Variously coffee stain, Dermatograph pencil, ink, pencil, on paper, 3 x 28 x 21cm, 2023
Four family members pairs. Ink, Dermatograph pencil, coffee stain, on paper, 29.5 x 21, 2023
Five family members, Coffee stain, white gesso, ink, Dermatograph pencil, on corrugated cardboard, each around 53 x 40cm, 2023
Family group sketch + overlaid cross-section through warped corrugated cardboard – both sketches towards Ancestry DNA project. Dermatograph pencil, coffee stain on paper + pencil on paper, 35.5 x 27.5cm, 2023
A diagrammatic drawing towards a project that has concerned adapting the psychoanalyst Jacques Lacan's Logical Square to a consideration of how artistic research unfolds, 2023
Diagrammatic drawing in response to Lacan's Logical Square, Dermatograph pencils, ink, coffee on handmade paper, 75.5 x 53cm, 2023
Diagrammatic drawing in response to Lacan's Logical Square, states 1 - 4, Dermatograph pencils, ink, coffee on handmade paper, 75.5 x 53cm, 2023
Conceptual aerial map, followed by a set of visual perceptual notes with written annotations – some photo-montage added through digital reproduction – made from a vantage-point looking across an urban development site towards the Casa da Musica (iconic concert hall by Rem Koolhaas), Porto, Portugal, 2021
Black ink on individual pages or double-pages of a sketchbook, 21.5 x 28cm, with some use of pencil, tracing paper overlays and digital manipulation to include photo-montage, the latter of variable dimensions, 2021
'[...] biology of one body's work':
a video collage of seconds counted while drawing + 2-minutes' playback layered a number of times, 2021
a video collage of seconds counted while drawing + 2-minutes' playback layered a number of times, 2021
3-minute video collage, February 2021
Drawing section of video collage, pencils and acrylic paint on handmade paper, 51 x 36cm x 9 pieces, 2021
Larynx drawing, drawing component of media work in progress, 2021
Larynx drawing, first state, Dermatograph pencil on white laminated cardboard 63 x 38cm, 2021
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Larynx drawing, second state, Dermatograph pencil on white laminated cardboard 63 x 38cm, 2021
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Larynx drawing, third state, Dermatograph pencil on white laminated cardboard 63 x 38cm, 2021
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Larynx drawing, third state, with glass jar, Dermatograph pencil on white laminated cardboard 63 x 38cm, 2021
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RAUM drawings, still-image results of video experiments in drawing sound, when raum means space in German language, 2020
Oscillation of paper tabs projected from a clear plastic face shield, 2020
Oscillation 1. Dermatograph pencils, black ink on white laminated cardboard. 109 x 79cm. 2020
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Oscillation 2. Dermatograph pencils, black ink on white laminated cardboard. 109 x 79cm. 2020
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Oscillation 3. Dermatograph pencils, black ink, oil paint on white laminated cardboard.with 30% clear plastic overlay, 109 x 79cm. 2020
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Drawing Walking Fasai, set of eight drawings, worked as two layers, concerned with walking a dog on a circular daily route, 2020
First layer, eight double-page drawings in EE black pencil and Dermatograph pencils on a concertina-formatted handmade paper sketchbook, each double page 23 x 25cm, 2020
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Second layer, eight double-page drawings reworked with pen and black ink thumbnail photo attachments to show locations, 23 x 25cm, 2020
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Drawings 1 and 8, representing start and end of the walk, 23 x 25cm, 2020
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Two drawings concerning the observation of perception, one of which reworked, 2019
Glasses drawing. Dermatograph pencils, coloured inks and black ink on white laminated cardboard. 109 x 79cm. 2019
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Observation of Perception, finished drawing. Dermatograph pencils, black ink and attached filing-cards on white laminated cardboard, 109 x 79cm. 2019
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Observation of Perception, finished drawing, with a drawing of glasses later superimposed. Dermatograph pencils, coloured inks, black ink and attached filing cards on white laminated cardboard. 109 x 79cm. 2019
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References to a video recording of the drawing process and a voice-over concerning the drawing, Observation of Perception 2, 2019
Observation of Perception: a drawing in three states, 2019
State 3 (finished drawing). Dermatograph pencils, white acrylic and black ink and attached filing-cards on white laminated cardboard, 109 x 79cm. 2019
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State 1. Dermatograph pencils on white laminated cardboard, 109 x 79cm. 2019
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State 2. Dermatograph pencils, white acrylic and black ink and attached filing-cards on white laminated cardboard, 109 x 79cm. 2019
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Annex Drawing. Drawing mediums, 316 x 195cm on laminated cardboard and handmade paper with oil paint on some plastic overlay in situ in studio, 2018
Annex Drawing installation shots and details
To show vector subject-superject (Whitehead reference) seen from subject- position when seated
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To show nodal points boundary of the annex, and to show the boundary's detour through a measured observational drawing
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To show the Whitehead position subject- at the back of chair, and the position superject at top of drawing in paint
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To show how the vector subject-superject as a drawn line recedes behind a mirrored clock, and to show the second observational drawing
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To show how black negates where a mirror-faced clock used to be, and to show a similarly negated black space through the chair-back
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Oscillation set, drawing focus, 2018
5 # 5. Dermatograph pencil and ink on laminated cardboard + oil paint on clear plastic overlay, 79 x 109cm, 2018
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4 # 5. Dermatograph pencil and ink on laminated cardboard + oil paint on clear plastic overlay, 79 x 109cm, 2018
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3 # 5. Dermatograph pencil and ink on laminated cardboard + oil paint on clear plastic overlay, 79 x 109cm, 2018
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2 # 5. Dermatograph pencil and ink on laminated cardboard + oil paint on clear plastic overlay, 79 x 109cm, 2018
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1 # 5. Dermatograph pencil and ink on laminated cardboard + oil paint on clear plastic overlay, 79 x 109cm, 2018
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Clock and Bottle set, showing motif and occasional states, 2018
Dermatograph pencil and ink on laminated cardboard + oil paint on clear plastic overlay, 79 x 109cm, 2018
The Drift between Drawing and Painting, ongoing series, drawing focus, 2017
Self & Other. Pencil, chalk, acrylic, oil, attached paper sheets, clear plastic on four sheets of handmade paper, 400 x 100cm, 2016
Mother of Pearl. Pencil, acrylic, black chalk on four sheets of handmade paper, 200 x 200cm, 2016
Mother of Pearl board of workings. Drawing media glued to plywood, paper,122 x 244cm, 2016
Time Passing. Various developmental stages of a drawing-based painting that began as a performed drawing in October 2015. Eight A0 enlargements of A4 hand-written texts, black chalk, acrylic, attached notes, stretch fabric on eight canvas panels, 610 x 120cm, 2016.
Eliciting own comment, Whitehead layer 1 (writing-qua-drawing). Pencil, colour pencil, watercolour, attached A4 paper, chalk on A1 handmade paper and tracing paper, 2016
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Eliciting own comment, Lacan layer 2 (writing-qua-drawing). Pencil, colour pencil, watercolour, chalk, attached A4 paper + chalk, ink, watercolour on A1 tracing paper, 2016
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Eliciting own comment, Whitehead layer 1, but after application of Lacan layer 2, to show diagram of stratification of layer 1's spatial layers, as if they could be excavated
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Eliciting own comment, Whitehead 1 (writing-qua-drawing). Pencil, colour pencil, watercolour, chalk on A1 handmade paper and tracing paper, 2015
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Eliciting own comment, Whitehead 2 (writing-qua-drawing). Pencil, colour pencil, watercolour, chalk on A1 handmade paper and tracing paper, 2015
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Eliciting own comment, Lacan 1 (writing-qua-drawing). Pencil, colour pencil, watercolour, chalk on A1 handmade paper and tracing paper, 2015
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Drawn Notes, Pencil, colour pencils, attached hand-written notes on cardboard + oil paint and attached typed text behind glass, marker pen on wood-framed glass, 114 x 86cm, 2015
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On the Outskirts of Time (Layer 4), Pencil, black chalk, brown chalk, paper tabs, colour pencil, emulsion paint, PVA glaze on canvas, 122 x 88cm, 2015
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Sketch of temporal spaces, On the Outskirts of Time, Pencil and acrylic on A3 paper, 2015
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On the Outskirts of Time (Finished as drawing), Pencil, black chalk, brown chalk, paper tabs, colour pencil, emulsion paint, PVA glaze on canvas, 122 x 88cm, 2015
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Moving a Document along a Wall, Pencil, colour pencil, charcoal, printed text on six sheets of A0 paper and two sheets of A1 paper, 1330 x 84cm, 2012
Sheet: one two three four five six seven eight
Drawing: 5 3 8 1/6 2 7 9 4
Sheet: one two three four five six seven eight
Drawing: 5 3 8 1/6 2 7 9 4
Representative drawing 5, physical sheet 1, of Moving a Document... Pencil, colour pencil, attached A4 typed pages and acrylic on A1 paper, 2012
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Representative drawing 1/6, physical sheet 4, of Moving a Document... Pencil, colour pencil on A1 paper, 2012
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Representative drawings 9 and 4, physical sheets 7 and 8 of Moving a Document... Pencil, colour attached A4 typed pages and acrylic on A2 paper + Pencil, colour pencil on A1 paper, 2012
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Moving a Military Tank through a Room, Pencil on 7 x A0 paper and 2 x A1 paper, 2012
Drawing 2 (of 8) of Moving a Military Tank through a Room, Pencil on 7 x A0 paper and 2 x A1 paper, 2012
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Drawing 6 (of 8) of Moving a Military Tank through a Room, Pencil on 7 x A0 paper and 2 x A1 paper, 2012
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Drawing 7 (of 8) of Moving a Military Tank through a Room, Pencil, black chalk on 7 x A0 paper and 2 x A1 paper, 2012
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Ushered, Left; Curtailed, Right (drawings done in-situ around Hoamji Lake, Chungju-si, S. Korea), Burnt umber charcoal, pencil on paper, 27 x 20.5 cm paper + Chinagraph pencil on tracing paper overlay, 27 x 20.5, 2013